Tag blends

Combining luxurious architecture and natural camouflage together, Mertcan Güldilek’s Nordic Breeze hotel is easy to miss when viewed from above. As you descend into the valley, however, the gorgeous hotel becomes more apparent with its unique blend of the snow-white facade and wrap-around glass. Created using AI, Güldilek’s architectural concept shows how organic design can blend beautifully into a landscape, complementing it rather than contrasting it.

Designer: Mertcan Güldilek

The AI experimentations take on a rather organic design reminiscent of Ross Lovegrove’s work. The hotel’s facade is difficult to really describe as it flows quite like the mountain slope. In the negative areas created by the facade, Güldilek adds running edge-to-edge windows that help residents/patrons get a sprawling panoramic view of the landscape ahead of them.

“The hotel emerges in the heart of the Swedish valley, inviting guests to a refuge that seamlessly blends with its breathtaking surroundings,” says Güldilek. “The organic approach to design ensures that the hotel becomes an extension of the surrounding nature, creating a sense of unity that calms and inspires.”

Envisioned for Storglaciären, Sweden, these hotels are located in the valleys of a snowcapped mountain range, alongside a glacial river that adds to the hotel’s charm. Multiple iterations of the hotel’s design see it nestled on top of the glacial river, giving patrons a stunning shimmering view of the snowcapped landscape along with its reflection. Sunrises and sunsets would look amazing here for 6 months in the year!

“As the sun descends, casting its golden rays across the land, the hotel radiates a warm and inviting aura that draws guests in,” adds Güldilek. “The golden hour lighting envelops the building, illuminating every detail and infusing the surroundings with a magical quality.”

Different iterations also play with volumes, adding multiple wings and levels to the architecture for a dynamic appeal. Each hotel room therefore has a unique view of what’s around them, creating a bespoke experience for everyone who comes to visit the conceptual Nordic Breeze hotel!

With its simple form factor and dual-shade wood construction, Oakywood’s MagSafe iPhone Stand/Charger has an aesthetic quality similar to the kinds found in Japanese and Scandinavian homes. Fondly known as ‘Japandi’ (an obvious portmanteau of the two words), the design style is characterized by cleanliness and minimalism that eschews materialism and clutter. With its Japandi-inspired style, Oakywood’s MagSafe iPhone Stand adds a touch of rustic beauty to your table, with a design that looks sophisticated but feels familiar thanks to the use of natural materials like Oak and Walnut wood.

Designer: Oakywood

The stand’s two-part design features a powder-coated aluminum base with a wooden ‘tray’ on top. The hefty aluminum base gives the stand its stable design (while also allowing it to function as a paperweight of sorts) while customers have a choice between a light oakwood or dark walnut wood upper, complementing their table setup.

The stand comes with an empty slot that lets you weave your MagSafe charger in. Once put in place, it becomes a nifty magnetic charging dock for your iPhone that you can either use as-is, or detach the MagSafe charger to use as a horizontal charging mat (shown above).

When used in the ‘stand’ mode, it angles your phone at a precise 25°, making it easy to view while also triggering the iPhone’s new Standby Mode – a feature unveiled in the latest iOS 17 update.

If you don’t want to use your Oakywood MagSafe iPhone Stand as a charger, the company sells a magnetic puck that you can slide into the stand, allowing it to work as merely a docking station without the charging facility.

The folks at Oakywood pride themselves in embracing nature as a material and a source for their designs. The use of wood feels antithetical to the metal and glass build of your iPhone, but it brings about a certain warmth to your tabletop, allowing it to become a standard fixture in your workplace. Besides, the entire thing weighs roughly 700 grams (1.5 pounds), making it a rather heavy accessory that doesn’t feel cheap in the slightest.

Oakywood sustainably sources its wood from America and Poland, also pledging to plant one tree for each product sold, thus ensuring a circular economy of sorts that helps reduce the effects of deforestation while turning wood into a renewable resource. You can grab your MagSafe iPhone Stand in three color options – a Light Oak, Dark American Walnut, or a Black Solid Oak that’s the darkest of the lot, matching the powder-coated Aluminum base.

Record players are en vogue again, and thanks to interest in the product, we’ve seen quite a few designs that go beyond the simple task of playing a vinyl record. There’s a wide variety of designs, ranging from minimalist to eccentric, from utilitarian to decorative. The requirements for a record player design aren’t many, as long as it’s able to actually produce the audio quality unique to the medium and have usable controls that don’t get in the way. Thanks to that, there’s plenty of leeway in how to interpret a record player design, and this particular concept takes advantage of that in order to create a fusion of an audio device and architecture, presenting a unique visual and tactile experience for audiophiles.

Designer:

The standard record player design involves a box with a circular plate on top, a tonearm that holds the head reader, and controls on the top or side of that box. There’s no hard rule for that design, of course, just that it’s the most efficient way to cram components and mix shapes. When it comes to space and shape efficiency, however, nothing is more precise than architecture, which is exactly the source of inspiration for this distinctive concept design for a record player.

Right off the bat, you will notice the slats that run across a section of the aluminum chassis that’s not covered by the platter. This design is reminiscent of many architectural forms, but it serves more than just a visual function in this design. One of those slats is actually the tonearm, giving this important part of the record player a home when not in use and preventing accidents due to leaving it exposed.

Three gaps between those slats also hide the machine’s controls in plain sight. While most record players use buttons and dials, the RYTM record player uses less ambiguous sliders for volume, speed (denoted by RPM or rotations per minute), and power. The sliders integrate so seamlessly into the design that you might not even notice their presence unless you look closely. At the same time, however, they offer a somewhat novel way to engage with the machine.

RYTM’s anodized aluminum body gives it a bit of a unique and almost industrial character. It’s not difficult to associate the motif with robot arms, similar to those used in automobile manufacturing plants, on a smaller scale, of course. In an age of mostly digital consumption of music, this interesting record player design concept offers a different and perhaps more memorable way to enjoy your tunes, creating a ritual that involves physical engagement to elevate your listening experience.