Tag Inspired

The accessory market for phones and computers is a wide and varied one, with designs that are all over the place and cover almost the entire range of the spectrum. Some try to offer everything, almost including the kitchen sink, resulting in a cornucopia of features and attachments, while others aim for the bare basics to keep things simple yet elegant. Minimalism continues to dominate the design world, and it has also started to grip the tech industry, particularly when it comes to gadgets and accessories. Minimalist design, though sometimes plain-looking, doesn’t exactly mean “boring,” especially when they take inspiration from some of mankind’s creative achievements to give these products an interesting visual and functional spin.

Belkin BoostCharge Pro 3-in-1 Wireless Charging Stand

Some say good things come in threes, and iPhone owners tend to own an Apple Watch and AirPods to complete a functional set. Keeping all three charged has become somewhat of a logistics problem, though thankfully it’s less of a mess now that none of them require charging cables all the time. Apple’s MagSafe technology has opened up a new world of designs, free from the tangles of wires, and it has given birth to a variety of charging docks and stations, including some pretty minimalist ones.

Designer: Belkin

The Belkin BoostCharge Pro really takes minimalism almost to an extreme, being nothing more than a metal post that branches in two, standing on a plain round disc. While there are quite a number of 3-in-1 MagSafe chargers that support a similar combination, Belkin’s design emphasizes keeping a tidy appearance, whether there are devices charging on it or not. The base holds the AirPods case, keeping your desk or shelf clean, while both the iPhone and Apple Watch are held up high for easier visibility.

The charger’s clean and minimalist appearance takes its cue from modern architecture, with well-defined lines and shapes and a simple yet functional design. It distills the whole structure down to its essentials, providing support and a place for your gadgets to call home, without overpowering Apple’s already elegant and stylish aesthetic.

MagSafe Origami Grip Stand

The ancient Japanese art of paper folding has inspired many designs across history, from simple children’s toys to mind-blowing structures even to complex robots. The main pull of origami has always been its ability to change shape from a flat sheet of material like paper to something three-dimensional any moving parts or without removing or adding any part at all. Because of that, something that takes up space can be made to collapse down to almost nothing, like this grip and stand that adds almost no thickness to your iPhone.

Designer: Marcy Arimoto

Click Here to Buy Now: MagSafe Origami Grip Stand ($45)

Thanks to its creative origami-inspired design, the MagSafe attachment transforms from a flat pad into a triangular shape that can do more than just prop up your phone on a table. It gives your fingers something stable to latch onto, making it perfect for taking selfies with confidence. It can even stick to metal posts, walls, and surfaces thanks to that strong magnetic power.

The best thing about its design is that it doesn’t get in the way when you don’t need it. It simply collapses back down to a flat shape that’s no thicker than the iPhone’s own camera bump. Nothing to snag when you slip it into your pocket and nothing to make it wiggle when placed on a table. It’s beautiful, functional, and as simple as it needs to be, nothing more.

Twelve South BookArc Flex Vertical MacBook Stand

A laptop stand is, more often than not, a horizontal plane meant to hold your laptop while it lies down. Of course, that’s the most common way to use a laptop, but it’s definitely not the only way, especially when you’re using it as a makeshift desktop computer. With the lid always closed and the laptop simply connected to a monitor and other peripherals, having a laptop lying flat or even on a horizontal stand is already a poor use of precious desk space. That’s where a vertical laptop stand comes in hand, and Twelve South just launched what is probably the most minimalist design in that category.

Designer: Twelve South

It might look like two simple metal arcs, but that ultra-minimalist design is what makes the BookArc Flex a work of genius. Designed to hold your closed MacBook vertically, it can save you precious desk space when all you really want to do is connect the MacBook to an external screen and some peripherals while it’s running. It keeps all the mess away without sacrificing any functionality, and you can still easily plug in other USB devices because the MacBook is still within reach.

The design is both simple yet elegant, perfectly complementing Apple’s design language with its bent all-metal rods in matte black, matte white, or premium chrome finishes. It is inspired by modern architecture, particularly the Noisette Creek Pedestrian Bridge in Charleston, South Carolina, in more ways than one. While it does owe its form to that bridge, it also takes a few lessons from a bridge’s structure and use of physics, particularly in how the stand uses the MacBook’s own weight to pull in the arcs and secure the laptop. That means that this simple design is also future-proof, supporting any MacBook or even any laptop that’s only an inch thick, making it a beautiful example of how good, simple design can be universal and timeless as well.

Designed by American studio Schwartz and Architecture, this appealing cedar-clad ADU is part of a family estate in Sonoma, which is a historic town nestled in Northern California’s winemaking region. The home is intended to function as “a jumping-off point for a modern wine country design”. The entire property includes a main house, as well as multiple other buildings, each of them pulling in the attention of the onlookers. The ADU is designed to be demure from certain angles, and extremely lively from others.

Designer: Schwartz and Architecture

While designing the ADU, the architects were inspired by the farm structures found in Sonoma Valley, quite a few of which have a dilapidated appearance. “Their original, steeply sloped roofs are now drooping into low-slung structures, peeling apart, allowing in unexpected puddles of natural light, and revealing fragments of their interior framing to the outside elements,” said the team.

The inspiration from the farm structure led the architectural team to build a 1200-square-foot dwelling that includes two volumes consisting of a foyer and a sheltered patio. One of the volumes is shaped like a square, and it includes an open-plan communal space. While the other volume accommodates a bed and a bathroom. The exterior walls have been clad in an Alaskan yellow cedar with a unique weathered finish. The entire structure is built using mostly wood, with a couple of steel beams.

As you enter the ADU, you are welcomed by bright rooms, a neutral color palette, and warm earthly materials that make you feel at home. The flooring and kitchen cabinetry are built using European white oak, while the kitchen countertops are quartzite. The island is clad in the same cedar used in the exterior facades. A section of the roof has been sliced apart to create a linear skylight that spans the area between the public space to the bathroom.

“Neither an unconsidered ‘modern farmhouse’ nor the literal ruins of a de-constructing rural barn, we hope this modern country home feels alive – complete but always in process,” said the team.

Although electric cars are becoming more common, we’ve barely scratched the surface of what they’re capable of. Removing the need for traditional fuel and relying on batteries opens up new possibilities, and not just in terms of power sources. It can offer a bit more flexibility when it comes to the form and function of the vehicle, like cars with completely digital interfaces or screens all around. There might even be room for a modular design, as this concept for a tiny Japanese electric van tries to show, allowing the manufacturer or even the owner to switch out certain parts both outside and inside to match their needs, just like pieces of a puzzle.

Designer: HW Electro

To be fair, a modular car might be a bit far down the road considering the industry is hyper-focused on standardizing electric vehicles and making self-driving features more acceptable to the masses. That’s not to say that the design is a distant possibility only, especially when the features are made to be more practical rather than fantastical. Switching out panels is probably more feasible than switching out whole car parts or components, which is the kind of modularity that the Puzzle concept embodies.

At first glance, the boxy shape of the Puzzle will already look strange to those not used to so-called “Kei cars,” but this kind of van design is popular in Japan for striking a balance between large interior capacity and small compact size. It’s a design that screams practical efficiency, and making it modular is taking it to the next level. But unlike what you might be imagining, the Puzzle’s pieces, pardon the pun, are limited to swapping out certain panels at the sides, corners, and even inside. It’s a bit of a generic system that opens up quite a number of possibilities but, more importantly, it also doesn’t tie them down to a specific design or part. It also makes replacing damaged panels easier and more economical, something that you can only dream of with regular cars.

The Puzzle van also has secrets to reveal inside its extremely spacious cabin. The interior door panel has slots that make it possible to add and remove different modules, such as containers, cup holders, and the like. Even the dashboard has this kind of design, yielding a clean yet flexible space for expanding the van’s capabilities, especially in the infotainment aspect. The cargo space, which is practically a cube, is also more space-efficient for storing boxes and all sorts of large objects, making the EV a potential delivery vehicle.

Thanks to the boxy form of this Kei car, it’s possible to put a solar panel on the roof to really maximize its battery mileage. Modular and sustainable, the Puzzle minivan concept offers an extremely simple yet effective solution to the future of electric vehicles, one that espouses the Japanese spirit of minimalism and practicality where form clearly follows function.

Although electric cars are becoming more common, we’ve barely scratched the surface of what they’re capable of. Removing the need for traditional fuel and relying on batteries opens up new possibilities, and not just in terms of power sources. It can offer a bit more flexibility when it comes to the form and function of the vehicle, like cars with completely digital interfaces or screens all around. There might even be room for a modular design, as this concept for a tiny Japanese electric van tries to show, allowing the manufacturer or even the owner to switch out certain parts both outside and inside to match their needs, just like pieces of a puzzle.

Designer: HW Electro

To be fair, a modular car might be a bit far down the road considering the industry is hyper-focused on standardizing electric vehicles and making self-driving features more acceptable to the masses. That’s not to say that the design is a distant possibility only, especially when the features are made to be more practical rather than fantastical. Switching out panels is probably more feasible than switching out whole car parts or components, which is the kind of modularity that the Puzzle concept embodies.

At first glance, the boxy shape of the Puzzle will already look strange to those not used to so-called “Kei cars,” but this kind of van design is popular in Japan for striking a balance between large interior capacity and small compact size. It’s a design that screams practical efficiency, and making it modular is taking it to the next level. But unlike what you might be imagining, the Puzzle’s pieces, pardon the pun, are limited to swapping out certain panels at the sides, corners, and even inside. It’s a bit of a generic system that opens up quite a number of possibilities but, more importantly, it also doesn’t tie them down to a specific design or part. It also makes replacing damaged panels easier and more economical, something that you can only dream of with regular cars.

The Puzzle van also has secrets to reveal inside its extremely spacious cabin. The interior door panel has slots that make it possible to add and remove different modules, such as containers, cup holders, and the like. Even the dashboard has this kind of design, yielding a clean yet flexible space for expanding the van’s capabilities, especially in the infotainment aspect. The cargo space, which is practically a cube, is also more space-efficient for storing boxes and all sorts of large objects, making the EV a potential delivery vehicle.

Thanks to the boxy form of this Kei car, it’s possible to put a solar panel on the roof to really maximize its battery mileage. Modular and sustainable, the Puzzle minivan concept offers an extremely simple yet effective solution to the future of electric vehicles, one that espouses the Japanese spirit of minimalism and practicality where form clearly follows function.

This stunning pool house designed by Spanish studio Baldó Arquitectura is called the Godai Pavilion, and it is characterized by a generous use of bamboo and an impressive overhanging roof. The pool house was created for a home located in rural Cantabria, in northern Spain. The structure is heavily inspired by Japanese design and features many of its unique details.

Designer: Baldó Arquitectura

The Godai Pavilion was designed in accordance with the local climate, and to boast the natural materials used to build it. The pool house is built to the south of the site, in turn building an enclosed courtyard garden with other pre-existing buildings on the site. “The pavilion [creates] a dialogue between different architectures, with the pool as a central element and a link between the existing home and the new pavilion,” the studio said.

The name and design of the pool house are inspired by the Japanese philosophy of godai, which is based on the five fundamental elements – fire, earth, water, wind, and space. You can see the concept in the structure’s large roof, and the sheer transparency of the facades, which showcase the surrounding landscape. You can see that the facades of the structure make a slow shift from solid to void, and are covered with bamboo slats. The slats follow the Fibonacci sequence and are designed to offer privacy to the building and control the natural lighting. The pavilion was constructed using bamboo, which brings to mind the image of Japanese-style tatami rooms. The ceilings are also inspired by the art of origami.

The interior of the pavilion is marked by a triple-aspect living space, which leads to a timber deck, where steps take you to the pool. Besides bamboo other materials were also integrated into the pavilion such as cork, local pine, mineral rock wool insulation, and recycled oriented strand board panels.

Various passive design systems for solar and rain protection were also integrated into the structure, for example, a large roof that offers plenty of shade and reduces solar gain. “The local climate takes on a fundamental value, where strong winds, rain, and summer sun become protagonists,” explained the studio.

Bluetooth speakers are a dime a dozen these days, but the majority of them share one particular trait. They’re designed with aesthetics to fit inside the house, sometimes looking like elegant pieces of interior decoration even. There’s nothing wrong with that, of course, but they do imply or even explicitly state that these speakers should not be taken out of the house. There will always be times when you wish you could bring your trusty wireless speaker along with you, but at the same time don’t want to take out what looks like a military weapon out of your bag or car. This Bluetooth speaker aims to strike a balance between durability and bold design, and it does so by taking a few pages out of an electric vehicle’s design book.

Designer: Billy Ernst

Electric vehicles or EVs are touted to be the cars of the future, mostly because of their more eco-friendly mode of operation and advanced electronics, but there are some EV makers that take that identity beyond just internal components. Rivian’s adventure vehicles, for example, employ a combination of angular and muscular elements, sharp lines, bold proportions, and distinctive lighting that make the EVs look like TRON vehicles come to life. It’s no wonder, then, that the RIFT Bluetooth speaker concept gives off that same futuristic vibe, demonstrating a design that looks great not just outdoors but indoors as well.

Unlike regular speakers, RIFT comes in an oval ring shape that leaves its middle completely hollow. With the speaker mesh that wraps around the exterior surface, it almost looks like the tread of a tank. Although it comes in different colors, the options are limited to earthy tones that match the EV maker’s own selection, including Glacier White, Rivian Blue, Compass Yellow, and Midnight Black. The LED lighting on the rim serves as a unique accent that brings a sci-fi aesthetic while also providing functionality as a battery level and pairing indicator.

There aren’t too many details in the design that distract from the overall appearance. There are only four control buttons for power, volume, and pairing, and they’re mostly hidden from view on the inner surface of the loop. The more visible button on the top serves both as pause/play control as well as branding. Other than these, the entire body of the speaker is one unbroken ring, giving it a unified and bold appearance while also evoking a sense of stability and reliability.

Given the shape of the speaker, there might be some concerns about the direction that the sound will travel because of the positioning of the speakers. There’s also mention of any dust and water resistance that is a must-have for any adventurous pieces of electronic equipment. Of course, these are just implementation details that wouldn’t really affect the core concept of a bold and daring speaker that can accompany you on your adventures, even if that means just staying at home.

The OnePlus 12 has officially been announced, at least in China, and it matches almost everything that has been leaked previously. No, there is no wood grain model or case, but there is indeed a marble-like green variant on the table. Truth be told, there isn’t anything surprising or new with the OnePlus 12, at least in terms of overall design. It looks exactly like the OnePlus 11 before it, which ties in with the company’s less aggressive branding strategy. That’s not to say they’re exactly the same, of course, and OnePlus is trying to focus on the design story of the phone this time around. In particular, it’s homing in on how the OnePlus 12’s camera was inspired by the same creative and manufacturing processes used to make luxury timepieces as if these two product categories shared a common ancestor.

Designer: OnePlus

To be fair, manufacturers have thankfully started to pay as much attention to materials, colors, and aesthetics as watch-makers do for upscale timepieces. Of course, most of the conventions and practices don’t cleanly transfer between these two worlds, but there are definitely lessons that can be learned from both sides of the fence. Coincidentally, the OnePlus 12 does have one part that lends itself perfectly to that same watch-making expertise thanks to its circular camera bump that does look like a watch to some extent.

OnePlus spares no effort to illustrate how the OnePlus 12’s camera design takes a few pages from luxury watches, like using the same high-end machined aluminum casing for the camera island as well as the plate on top of the cameras. It also uses special laser engraving for the markings on the outer area of the plate, while utilizing a polishing process with micron-level precision for the semi-circular island to achieve an elegant appearance. This is then topped by a circular Gorilla Glass cover, completing the picture of a watch-like camera.

Of course, that story will probably be lost on most buyers who haven’t heard of it, but the OnePlus 12 is undoubtedly quite stunning even without that backstory. Unfortunately, the phone’s color options are rather unremarkable, except for the “emerald green” colorway that looks more like a slab of marble than a gem. The phone does have a classic appeal to it, with its curved back and equally curved screen, though that might also be just a kind way of saying “old”.

The OnePlus 12 is one of the first to carry the latest Qualcomm Snapdragon 8 Gen 3, positioning it as a premium 2024 flagship. Despite appearances, it only has three cameras, a stacked 50MP main shooter, a 64MP telephoto camera with 3x lossless zoom, and a 48MP ultrawide with a 14mm equivalent lens. The other unnamed circle is pretty much a 3D ToF (Time-of-Flight) depth camera. Although now officially available in China, international markets will have to wait until next month to get their hands on the OnePlus 12 and its watch-inspired camera design.

Dire situations bring out the best in humans. And war-torn Ukraine has been a reason for many lifesaving inventions that are not only helping here but also opening new avenues in places where the need may arise. One such creation is the Life Chariot: a lightweight offroad trailer for combat rescue and evacuation. Designed without typical emergency lighting and anything like the MEDEVAC vehicles, we usually see in evacuation missions, the rescue trailer is inspired by the ongoing conflict in Ukraine and its growing demand for healthcare and evacuation vehicles.

This Life Chariot is developed by Polish industrial designer, Piotr Tluszcz, who, recognizing the hardships of Ukrainian medics (trying to rescue lives from the war-shattered areas), wanted to build an all-terrain solution to help them with their evacuation missions. The Life Chariot is therefore made lightweight and comes with Da Orffo off-road suspension to make it easier and safer to rescue the wounded than in the truck, which the Ukrainian medics do at the moment.

Designer: Lodz Design

Given its novel, steel skeleton design and off-road suspension, this MEDEVAC-like trailer provides a convenient and smooth ride for the patient onboard. For this, the Life Chariot comes with an adjustable hitch to tow behind a capable vehicle and features a removable stretcher to accommodate one wounded person and two medics on either side, sitting stable on strapped seats with medical equipment overhead for easy access.

Riding smoothly over any terrain, the trailer helps medical evacuation teams in conflict zones and other challenging environments to help them carry out rescues briskly and with the least danger to any parties. When the injured person in need of medical assistance is strapped up to the stretcher, the medics can hop onboard and cover the protective steel skeleton body of the trailer with a fireproof tarpaulin and allow the stretcher into its stipulated mount through the side or rear.

The trailer, which is more like a steel-caged contraption at first sight, also has an additional stretcher mount on the supposed roof. Two such Life Chariots have already been handed to the Ukrainian military and one to a voluntary Polish medic unit for testing. The Life Chariot was recently awarded the James Dyson Humanitarian Award. The designer is looking to utilize the prize money and the feedback from Ukrainian and Polish units for the betterment of the rescue trailer.

Architecture has recently been making leaps and bounds, as conventional design rules have been broken and architects are on a mission to create innovative and ingenious dwellings that will transform modern housing. And recently, Nurgissa Architects unveiled their concept of the Modern Kazakh Yurt – a transformable dwelling that is heavily inspired by traditional nomadic homes and design. These modern yurts are intended to be small compact dwellings that are reminiscent of the quintessential yurts we may have come across.

Designer: Nurgissa Architects

Occupying a 25 sqm perimeter, the yurt has been designed with strategy and precision to create a layout that can house bedrooms and workspaces, as well as a centralized section for kitchen and toilet facilities. The compact yurt accommodates all the amenities you could need to live a comfortable life. The yurt heavily focuses on transformable furniture, such as beds and chairs, to ensure that the internal space is optimized and utilized efficiently.

The exterior of the yurt features plywood panel segments with a flexible polymer film that is equipped with organic semiconductors that generate electricity. A square meter of the polymer film creates 1kW/hour. Additional electricity is provided by telescopic components, which offer 5.3 kW. The generated electricity is stored away in batteries, which are in turn used to power household appliances. The telescopic elements give the home its classic yurt-like aesthetic, and can easily adjust to steppe areas, using segment extension and shifting. This allows for the creation of an open or enclosed living space, depending on the weather conditions.

An autonomous biological system is integrated to deal with wastewater treatment, which reduces the negative impact on the environment and supports environmental sustainability. Other eco-friendly measures were also taken by the design team, such as the integration of eco-friendly materials like glued plywood with a basalt fiber heat-protective layer for wall segments. This measure enables the modern yurt to harmoniously merge with its surrounding environment, creating an experience that is seamless and in tune with nature, while utilizing traditional nomadic ideologies to counter modern ecological issues. Currently, the Modern Kazakh Yurt is a conceptual design, but hopefully, we see it as a real tangible structure or a collection of real tangible structures soon.

The clamshell-like Galaxy Z Flip5 is an interesting device, combining modern smartphone specs and features with a holistic design approach that heavily borrows elements of flip phones from the early 2000s. It’s also the best of its class, thanks in part to very little competition from Apple — but also because of its robust internals, like a primary 1080×2640 AMOLED display (collapsing into a 720×748 front display when closed), a Snapdragon 8 Gen 2 processor, 8 gigabytes of RAM, and a 3700 mAh battery.

As of October 30, Samsung announced a limited-edition version of the Galaxy Z Flip5, called the Galaxy Z Flip5 Retro, and it looks peculiarly like 20-year-old SGH-E700, which launched around the same time as (and was ultimately overshadowed by) the behemoth Nokia 1100. Still, as Samsung’s first mobile phone containing an antenna, the SGH-E700 was a triumph in cellphone design for its time, and it’s celebrated in the stylized Galaxy Z Flip5 Retro, which sports the original SGH-E700’s indigo blue and silver color scheme.

Designer: Samsung

The tributary Flip5 Retro also comes with an interface makeover which itself is a throwback to the SGH-E700’s stock interface, complete with the blue lettering on the Flex Window that you can even show off alongside a pixel-art animation of a city skyline punctuated by shooting stars streaming across the night sky. It’s awfully pretty looking, and it’s certainly reminiscent of 16-bit screen savers and mobile games that were playable on cell phones in the early 2000s.

It sounds like the Flip5 Retro is shipped in a package containing several extra goodies, including: “three Flipsuit cards featuring logos from different eras of Samsung’s history, a Flipsuit case and a collector card engraved with a unique serial number that will add to the product’s collectible value for purchasing customers.”

Unfortunately for those of us in the United States, there is no planned launch window for the Samsung Galaxy Z Flip5 Retro over here. It’s also not exactly clear how “limited” the limited edition release will be, as Samsung has yet to disclose how many will be produced. You may still be lucky enough to nab one for yourself from the Samsung online store at the Flip5 Retro’s MSRP (roughly $1,240) if you’re in the UK or Australia, where shipments are set to go out on November 1 — or, if you’re in Spain, Germany, or Korea, where shipments are set to go out on November 2.