22 years ago, Steve Jobs held in his hand what would quite literally be the turning point of his company. The iPod made its first debut in October 2001, and it’s difficult to picture what Apple would look like without it. Such has its cultural effect been on society that if you’re a millennial with an iPhone, chances are you probably owned (or tried desperately to convince your parents for) an iPod. However, if you missed that boat (or even if you just miss having an iPod right now), Oliur and Shane Levine’s wallpapers have you absolutely sorted. The iPod Wallpapers Pack turns your iPhone lock screen into a makeshift iPod with the popular music player’s display conveniently showcasing the date and time as well as your iPhone lock screen widgets. No, it won’t control music playback. Yes, we wish it did!
Designers: Oliur & Shane Levine
Click Here to Buy Now: $14
Turn your iPhone lock screen into a 6th Gen iPod Classic!
The $14 wallpaper pack comes with 12 different iPod Classic variants to choose from, including color varieties as well as themed and grungy iPods that kids bedazzled with stickers and other paraphernalia. All the images are high-definition, which works exceptionally well on your iPhone’s AMOLED retina screens…
Webcams are to laptops what stereo systems were to cars in the past. No reputable automaker really gave a damn about how useful or functional their stereo players were, and they were almost always an afterthought to the car’s entire experience. However, with the dawn of the social age, these systems have now transformed into complex infotainment apparatuses that are sometimes the highlight of the car’s entire interior experience. I digress, but the point I’m trying to make is that up until very recently, webcams on laptops, for the lack of a more elegant term, have sucked turds. It’s barely been 2 years since companies (especially Apple) have been focusing more on just making better camera hardware for their laptops. Heck, Apple even introduced a Continuity Camera feature for their Macs that lets you use the iPhone’s main camera instead of the built-in webcam. While this movement towards building better laptop webcams is yet to gather critical mass, it’s spawned a pretty big product category in the form of external webcams, which all promise to be vastly better than the ones baked into your laptop’s hardware.
That’s where the Opal Tadpole Webcam enters the scene, promising to be a game changer. Now in its second iteration, the Tadpole promises great things with some impressive hardware specs combined with a little AI secret sauce.
Designer: Opal
Opal’s first product was launched at the height of the pandemic as the world transitioned to an online-only workplace. As people found themselves spending less time behind cubicles and more time behind crappy laptop webcams, Opal decided to debut the C1 – a promising webcam that fell short on delivering what it promised. To be honest, circumstances played a pretty big role in why the C1 wasn’t as great as it was hyped up to be. The raging pandemic was also causing a pretty ugly supply chain crisis and global chip shortage. Transportation was on a grinding halt, preventing Opal’s fledgling team from actually going to China to oversee production. However, the pandemic is now hopefully completely behind us and Opal’s grown in the time since then – not only in personally but also in how the company executes product development. In that regard, the Tadpole isn’t really the C1’s successor, given that it’s vastly better, packs new features, and is also touts a hefty $175 price tag.
First off, the Tadpole boasts a 4K Sony sensor. That’s right, 4K. In a world where most laptop webcams are stuck in the 720p dark ages, this is a significant leap forward. The video footage does get downsampled to 1080p to keep things light (a 4K stream on a Zoom call isn’t something most internet connections can handle), but Tadpole’s new machine-learning image signal processor promises “DSLR-rivaling quality.” In addition to the resolution, the Tadpole features a moderately wide 90-degree field of view. This wide angle is perfect for capturing more than just your face, helpful for those dynamic presentations, or when you want to show off more of your surroundings. Things, however, don’t stop there. The Tadpole comes equipped with an f/1.8 lens, which means it’s capable of performing admirably in low-light conditions. No more looking like you’re in a witness protection program during late-night video calls. Furthermore, the webcam includes a digital microphone array, designed to pick up your voice clearly while minimizing background noise.
Physically, the Tadpole is compact and elegantly designed. It’s practically the shape and size of a 3rd-Gen iPod Shuffle, with a minimalist design to match. It easily clips onto your laptop or monitor, adding minimal bulk, but doing away with the standard tripod mount that would allow you to attach the Tadpole on places other than a monitor. USB-C connectivity means it’s versatile and can be used with a range of devices, not just your laptop, and the Tadpole’s USB-C port even comes with a touch-sensitive Mute button, allowing you to easily mute yourself on calls without navigating any video-chat interfaces.
What’s more intriguing about the Tadpole is its compatibility. It’s not just a plug-and-play device; it takes advantage of its own software to enhance the user experience. This includes features like auto-framing and AI enhancements, ensuring that you’re always in focus and look your best, even if you just rolled out of bed.
All those features don’t come cheap at all. With an eye-watering $175 price tag, the Tadpole is sits at the higher end of the webcam market, which might be a deterrent for some. But for those who are tired of pixelated video calls and want a top-tier webcam experience, the Tadpole might just be worth the splurge. While it may not be for everyone’s wallet, it’s certainly a step in the right direction for anyone seeking clarity, quality, and a bit of style in their video calls. And who knows, maybe it’ll make those early morning Zoom meetings a tad more bearable. Or at least, you’ll look good while you’re half-asleep, sipping your coffee, pretending to pay attention.
You may think that a Nothing ‘Npod’ music player sounds like an absurd idea, but I’m here to say that it makes absolute sense…
There are some undeniable similarities between the Apple of Steve Jobs, and the Nothing of Carl Pei. Both founders started other successful businesses (Jobs also founded Pixar and Pei founded OnePlus) before finding their true calling in tech. In his 2022 presentation, Carl Pei mentioned that tech had stopped being fun, rather subtly casting aspersions at Apple that used to make exciting products once upon a time when Steve Jobs was in his ‘pirates of Silicon Valley’ era. Apple’s breakout product may have been the Mac, but it truly became a cultural phenomenon with a music product – the iPod. Similarly, Nothing made its global debut with a music product too – the Nothing Ear (1). One could argue that the Nothing Phone (1) almost perfectly matches the iPhone 12’s size and shape, so it’s safe to say there’s quite the overlap… and this fan-made Nothing Npod (1) takes things a step further.
Designer: Shreyansh Onial
Designed by Shreyansh Onial, the Nothing Npod (1) simultaneously pays homage to Apple’s iconic iPod Shuffle and Nothing’s transparent design aesthetic and glyph interface. In ways, it’s also a reflection of how Nothing is capable of revolutionizing the music industry through the power of technology and nostalgia.
The Npod (1) is a pretty literal fan-made reinterpretation of the iPod Shuffle, with the signature circular control panel on the front and a matching circular glyph interface on the back. A wireless charging coil on the back also hints at the iPod… er, Npod (1) charging wirelessly, although there’s definitely a USB-C charger on the bottom, judging by the ‘!’ glyph on the back which can also be found on the Phone (1) and Phone (2).
The presence of a glyph interface on the Npod (1) seems like an odd choice, but it isn’t inconceivable that the interface responds and reacts to the music being played. One arc in the circle could act as a volume indicator while the other could serve as a seek bar, showing the progress of the audio file (the Phone (2) had such a feature too).
The Npod (1) is designed to be a tad bit smaller than the Ear (2) case, reflecting the iPod Shuffle’s comparative size too. The Npod and TWS earbuds go together rather well if you ask me, although the music player is clearly missing a pocket clip that would allow you to attach it to your clothes for easy control and usage.
For now, however, the Npod (1) is just a fan-made concept (I imagine Apple’s legal team would sue Nothing into oblivion if they made something this, well, similar). Ultimately though, it’s a fun design exercise that also serves as a pretty strong reminder of the overlap between the current ethos of Nothing under Carl Pei, and of Apple in the turn of the millennium under Steve Jobs.